YEAH YEAH YEAHS live at the MUSIC HALL OF WILLIAMSBURG

September 30, 2009

by GeoffI got on the train not sure I would have a ticket. At worst I expected I’d be standing around outside asking for extras, but for once it seemed like everything just worked out. I didn’t have to spend like the Federal Reserve to get a ticket, and I got in for a fraction of the $200-asking prices on Cragslist. For a while I thought the show might not exist except for in some mystical PR bubble, after all why on earth would a band that just played Radio City put on a show in 500-capacity Williamsburg? At some point during the set, Karen O asked how many people were “on the list.” I didn’t know what she meant, I thought that may have been stage speak for “cool,” but then she said “it should be about half of you.” So this show was basically made for FOB’s: friends of the band! Her dad and sister were there, so the reason tickets kept being released randomly over the last two weeks was because they were being released from the band’s list. So in short, the ticket sales were a total farce. This morning I heard that some tickets were actually available at the door–for a “sold out” show.

Karen O does not cease to amaze. She brings the Madison Square Garden show to the small clubs and the music fans, the kind of shows that you can usually only get from Britney, Beyonce and U2. It’s obvious that fans take their cue from her: when she’s out of sight changing capes or putting on masks and jackets the crowd feels lost. There is no Karen O off-night, she brings it every time. Doing a hundred shows in a year will make you seem like you don’t care or like one crowd isn’t especially different from another, but you could never tell that this was KO’s third show in a week. For “Hysteric” she held the mic to everyone in the first row, one at a time, so that they could sing. Who else has so much stage presence that she can command that kind of patience from a crowd of screaming fans? Karen O can make you feel like she’s talking to only you; in the way that Santa Claus or strippers can make a person feel like they’re in the only lap in the world.

by GeoffThe best thing about the MHOW is how intimate it is: it’s half the size of Webster Hall and an even smaller fraction of the size of Terminal 5. The show was similar to the one I saw in May in Minneapolis, being that the material was almost identical, but it still felt incredibly genuine and improvised. Brian Chase was smiling ear-to-ear from start to finish, and after “Maps” in the encore they took requests. The set featured more songs from their EP’s Machine and Isis than usual, I actually think they played a song I didn’t know (“Our Time”)–that doesn’t normally happen. You can see the set list here (at BV). At the end of the show Nick Zinner threw all of his guitar picks into the crowd, and I somehow came away with one of each kind, the proof follows below.


Notes: Brooklyn Vegan has some awesome pictures as usual. I didn’t bring a camera because I hate people that take photos (or worse: videos) throughout entire shows. I took a few on my phone, but I say leave the photography to the experts, this isn’t the fucking Eiffel Tower (I’m talking to you, obnoxious and noxious couple next to me). I’d like to say thanks to the deli on 6th and Bedford that was selling dollar-24’s of American Ale, I couldn’t help myself and I ended up paying for it with the greatest bladder battle of my life. Spot me in the photo below.

Yeah Yeah Yeahs – Art Star (from the 2002 EP)

by Geoff

by Geoff

The following come from Flickr user Nickhappens:

from Nickhappens

9/29/09 Music Hall of Williamsburg set list and photos above.

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